Ensemble rehearsal

Theatre Director · Ensemble Artist · Rehearsal Problem-Solver

Rob
Adler

Chicago-Based Theatre Director

Actor-centered directing for text, new work, and ensemble performance. I build rehearsal structures that help actors move from explanation into embodied action — especially when a scene, relationship, rhythm, or performance problem must be solved quickly and collaboratively.

Great Acting Looks Improvised

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The Work

Selected Directing

GANGSTERS! — DePaul University
2026 · DePaul University · Chicago

GANGSTERS!

by Zach Helm

Challenge
Bold theatrical composition and political energy at scale, drawing on the Brechtian tradition while building vivid ensemble life.
Process
Ensemble composition, status work, physical rhythm, and structured improvisation to develop character specificity across a large cast. Text analysis driving every staging decision.
Result
A politically alive, compositionally rigorous production that used ensemble presence and theatrical form rather than realistic representation.
Clybourne Park staged reading — Interact Theatre Company / LAPL. Amy Pietz and Erròn Jay.
2026 · 2025 · 2024 — Interact Theatre Company / Los Angeles Public Library

Interact / LAPL Series

Fully staged reading series

Challenge
Create complete theatrical events with professional casts in compressed rehearsal conditions, across a range of texts and styles.
Process
Fast, precise, text-driven direction. Clybourne Park (Bruce Norris), Wit (Margaret Edson), Waiting for Lefty (Clifford Odets), The Humans (Stephen Karam).
Result
Efficient, actor-centered storytelling in library venues — demonstrating the kind of clear decision-making, immediate actor trust, and problem-solving that demanding professional contexts require.
Birthday Candles — DePaul University, production photo
2025 · DePaul University · Chicago

Birthday Candles

by Noah Haidle

Challenge
Create a century of lived experience — from age 17 to 107 — without realistic scenery or literal props.
Process
Spolin space work, ensemble attention, and actor-generated environments. Every object — cake, bowls, the kitchen itself — built from behavior, weight, memory, and relationship.
Result
Audience members interviewed six months later described marbled countertops, flower measuring cups, a piano on stage left — a fully realized world built entirely from space and collective belief.
Goosebumps the Musical: Phantom of the Auditorium — Chicago Playworks, DePaul University, 2022
2022 · Chicago Playworks · The Theatre School, DePaul University

Goosebumps the Musical

by John Maclay & Danny Abosch

Process
Built the school-company world through ensemble rhythm, physical composition, status, and precise transitions — in close collaboration with music direction, movement, projections, and the design team.
Result
A visually expansive Chicago Playworks production at the Merle Reskin Theatre.
View production gallery ↗
Bad Hamlet — Coin & Ghost Theatre Company
2019 · Coin & Ghost Theatre Company · Los Angeles

Bad Hamlet

from Shakespeare's First Quarto

Challenge
Make Shakespeare function as live material rather than inherited authority — finding genuine argument, interruption, and language-making inside the text.
Process
Built from the First Quarto using Spolin's Contrapuntal Argument to drive script development. Actors interrupted, argued, and rebuilt language in the room.
Result
"Uniquely entertaining…innovative in a few different ways." — LA Weekly. "Shakespeare for a new generation." — Accessibly Live Off-Line.
Patriot Act — Bootleg Theatre, Los Angeles
2011 · Bootleg Theatre · Los Angeles · With Roger Guenveur Smith

Patriot Act

Original devised work

Challenge
Build a theatrical event before a conventional script existed — from the architecture of the space, the political moment, and the improvisational intelligence of the performer.
Process
Weeks of meetings in an empty theatre. A chalk Constitution on the stage floor. Surveillance cameras, hidden windows onto the city, fireworks on the Fourth of July, live music, dancers, a DJ. Structure built from conversation, research, and spatial discovery.
Result
A site-responsive political event demonstrating how devising and urgency generate form — and how an ensemble can build a living world from space, behavior, and shared inquiry.
Watch documentation ↗
Loop — DePaul University
The Covid List Project — DePaul University
Teaching at The Theatre School, DePaul University
Exagoge — Theatre Dybbuk (Dir. Aaron Henne)
Rehearsal Practice

What I Bring to the Room

Performance Problem-Solving
I use theatre games to help actors move from demonstrating an intended result into doing the playable action that produces it. When a scene, relationship, rhythm, or performance problem resists explanation, I have precise experiential tools to move the room forward.
Actor-Centered Dramaturgy
I track action, relationship, rhythm, status, language, and the practical consequences of textual choices. My background as an actor means I understand what an actor needs to hear — and what gets in the way.
Ensemble Process
I help build conditions in which actors can take meaningful risks while remaining connected to the production's larger structure. Meaning is made collectively — moving ensembles from guarded predictability into shared invention.
Collaboration and Discretion
I contribute with preparation, curiosity, responsiveness, and respect for the ecology of the room. I offer tools rather than prescriptions, listen before intervening, and understand that useful collaboration depends on timing, trust, and attention.

Games are not warm-ups. They are rehearsal structures that focus attention, make risk playable, and help actors stop illustrating choices and begin doing them. Every rehearsal is an act of composition.

01
Emergence over Imposition
The director's job is to build conditions in which the ensemble discovers the work together — not to arrive with a finished concept.
02
Games as Structure
Through games, actors stop performing and start doing. Attention becomes possible and risk becomes safe enough to take.
03
Research as Devising
The archive gives work purpose; play keeps it alive. Textual investigation, political urgency, and archival objects can all generate theatrical form.
04
Ensemble Authorship
Actors need both permission and purpose: room to generate material, and clear problems that sharpen choices and give form to what they make together. Craft is not the opposite of risk — it is what makes risk legible.
Press & Recognition

What Critics Say

"

Uniquely entertaining…innovative in a few different ways.

LA Weekly · Bad Hamlet, Coin & Ghost

"

Shakespeare for a new generation.

Accessibly Live Off-Line · Bad Hamlet, Coin & Ghost

"

As a company, Coin & Ghost clearly has talent and ambition.

Stage Raw · Bad Hamlet, Coin & Ghost

"

Rob Adler is possibly the best improvisation acting teacher in the United States.

Aaron Speiser · Acting Coach to Will Smith, Jennifer Lopez, Gerard Butler

Published Work

Writing on Directing

Two peer-reviewed publications arguing from inside a directing practice — extending what happens in the rehearsal room into scholarly form.

Theatre Topics Volume 35 Number 3 November 2025 — journal cover
Theatre Topics · Vol. 35 No. 3 · November 2025 · pp. 263–275

Beyond the Script: Harnessing the Power of Play in Clybourne Park

Notes From the Field. A director's account of how three Viola Spolin theatre games — Kitty Wants a Corner, Where Exercise with Floorplans, and Contrapuntal Argument — transformed a constrained staged reading into a dynamic theatrical event with professional Los Angeles actors. One audience member remarked they forgot the actors were holding scripts because their physical engagement with the space and each other was so compelling.

Read via DOI ↗ Project MUSE ↗
Theatre Journal · Vol. 77 No. 3 · September 2025

The Alchemy of Space: Viola Spolin & the Conjuring of the Invisible

Video essay published as an online-only feature. Argues for Spolin's space work as theatrical invocation rather than illustration — placing invisible space within a broader tradition of materialist performance theory.

View at Theatre Journal ↗
About
Rob Adler

Rob Adler

Rob Adler is a Chicago-based theatre director, actor, and educator whose rehearsal practice is actor-centered, ensemble-driven, and grounded in Viola Spolin theatre games, physical composition, and close text work. He directs new work, classical texts, devised performance, and musical theatre.

He has worked with Coin & Ghost Theatre Company, Theatre Dybbuk, Interact Theatre Company, the Los Angeles Public Library, and the Bootleg Theater, and has collaborated with Roger Guenveur Smith. He is an ensemble member of Interact Theatre Company and founder of AdlerImprov Studio Hollywood.

Rob joined the faculty of The Theatre School at DePaul University in 2017 and has served as Co-Head of BFA Acting since 2023. He holds the 2021 Excellence in Teaching Award, the 2024–25 Wicklander Fellowship for Professional Ethics, and a 2022 University Research Council Grant.

20+
Productions
Since 2017
DePaul Faculty
3
University Honors
4
Directed Films
Formation

Training & Influences

Degrees & Certificates
  • BFA Acting — The Theatre School, DePaul University
  • Certificate in Film Directing — UCLA Extension
  • Certificate in Sketch — The Second City Conservatory
  • Certificate in Shakespeare — British American Drama Academy (BADA)
Influences & Additional Training
  • Viola Spolin Theatre Games
  • Complicité
  • SITI Company
  • Second City
  • Moment Work
  • The Actors' Gang
  • Joyce Piven
Screen Work

Film Direction

You Too?
>
2025
"The Alchemy of Space" — Viola Spolin & the Conjuring of the Invisible · Theatre Journal, Johns Hopkins UP
2018–19
"You Too?" — Official Selection: Pasadena IFF, Chicago REEL Shorts; Best Film Finalist, Collected Voices
2016
"Fat Lamb" — starring Mike Stutz
2012
"iVote" — starring Eric Roberts, Dan Lauria & Sharon Lawrence · Bahamas IFF; Finalist, Best Short Film
Full Record

Credits & Record

Theatre — Director
2026
GANGSTERS! by Zach Helm — DePaul University
2026
The Humans by Stephen Karam — Interact Theatre / LAPL (fully staged reading)
2026
Waiting for Lefty by Clifford Odets — Interact Theatre / LAPL (fully staged reading)
2025
Birthday Candles by Noah Haidle — DePaul University
2025
Wit by Margaret Edson — Interact Theatre / LAPL (fully staged reading)
2024
Clybourne Park by Bruce Norris — Interact Theatre / LAPL (fully staged reading)
2022
Goosebumps the Musical by John Maclay & Danny Abosch — Chicago Playworks, DePaul University
2022
I'm Not Rappaport by Herb Gardner — Interact Theatre via BroadwayWorld
2021
The Covid List Project — Devised by the ensemble, DePaul University
2021
I'm Pretty Fucked Up by Ariel Stess — DePaul University
2020
Loop by Kevin Coval / devised adaptation — DePaul University
2020
Talley's Folly by Lanford Wilson — Interact Theatre / LAPL
2019
Bad Hamlet — Coin & Ghost Theatre Company, Los Angeles
2019
The Fantasticks by Tom Jones & Harvey Schmidt — DePaul University
2016
The Diary Project — Devised from Anne Frank's diary, USC
2011
Patriot Act — Bootleg Theatre, Los Angeles · With Roger Guenveur Smith
2008
Moby Dick Rehearsed by Orson Welles — Bootleg Theater, Los Angeles
2008
Rise Up & Shout — Will Geer Theatricum Botanicum, Topanga, CA
2003
ZHX Soundscape — WNEP Chicago Improv Festival · Top Ten Plays of 2003
Devised Work, New-Work Development & Artistic Collaboration
2020–21
Loop and The Covid List Project — Devised with DePaul ensembles
2011
Patriot Act — Bootleg Theatre · With Roger Guenveur Smith
2016–22
Exagoge — Theatre Dybbuk, Fowler Museum · Dir. Aaron Henne · Devising collaboration and performance
Academic Positions
2023–
Co-Head BFA Acting — The Theatre School, DePaul University
2017–
Assistant Professor — The Theatre School, DePaul University
2014–17
Full-Time Lecturer — School of Dramatic Arts & School of Cinematic Arts, University of Southern California
2002–
Artistic Director — AdlerImprov Studio, Los Angeles · adlerimprov.com
Publications
2025
Beyond the Script: Harnessing the Power of Play in Clybourne Park — Theatre Topics Journal, Notes From the Field · Johns Hopkins University Press
2025
Playing Therapist: Improvisation in Occupational Therapy — Book Chapter, Using Applied Drama in Nursing and Healthcare Education
2014–17
Backstage Expert Columnist — Backstage Magazine
Download Directing Résumé
Contact

Let's build something
extraordinary together.

Available for directing projects, commissions, university workshops, and collaborations. Based in Chicago.

InstitutionThe Theatre School, DePaul University
RésuméDownload PDF